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NOVEMBER 8, 2003 PHILIPSHALLE, DÜSSELDORF, GERMANY 1. Down Along The Cove 2. I'll Remember You 3. Tweedle Dee & Tweedle Dum 4. Love Minus Zero/No Limit 5. It's Alright, Ma (I'm Only Bleeding) 6. Girl Of The North Country 7. Cold Irons Bound 8. Man In The Long Black Coat 9. Highway 61 Revisited 10. Tryin' To Get To Heaven 11. Honest With Me 12. The Lonesome Death Of Hattie Carroll 13. Summer Days 14. Cat's In The Well 15. Like A Rolling Stone 16. All Along The Watchtower 17. Forever Young Düsseldorf revisited, for me, not for Bob Dylan. Before November 8th 2003 it was the only one of the ten largest cities in Germany where Bob Dylan had never played, this capital of North-Rhine- Westphalia, the state where I have lived most of my life, my early childhood even 20 miles north of Düsseldorf, and during my college years, as an intern, for 7 months in the city itself. The concert in Düsseldorf was the second consecutive show at the rail for my wife and me, but our vantage point was quite different from the one we had in Frankfurt. Standing this time at the far right facing the stage, we had an unobstructed view over to the piano across the stage floor, which was a brilliant sight to behold, as the man behind the piano was dancing and pointing, smiling and playing. Freddy we could also see most of the time; but the other three musicians were unfortunately out of sight for us, as huge stage monitors blocked our view. It was quite a different concert experience to focus on Bob only during some songs, as he was directing the others we could not see, pounding on his piano, blowing his harp, and singing his songs to a quite appreciative audience. And a great time for appreciation it was, these two hours, as the set list (even though it lacked “Every Grain Of Sand”) was one of the finest I was honoured to witness in 44 shows since 1981. Every song was performed very focused, and even the regulars for this tour were never boring, but enjoyable throughout. But the gems of this concert were also numerous, and made this a very special event for me. Four songs we had not seen in the other three shows we had attended this fall (Stockholm, Karlstad, and Frankfurt), but I certainly do not complain about another version of “Down Along The Cove”, the new fine opener introduced in Frankfurt; another “Love Minus Zero”, which was delivered word perfect this time, and even more beautifully than at the previous show; or another fine performance of “Man In The Long Black Coat”. Great stuff. Also I prefered “Tweedle” in the number three slot; and truly a fine surprise to close this magnificent Düsseldorf show was another wonderful version of “Forever Young”, two of which we saw already in Sweden in October, but then it appeared before “All Along The Watchtower”, not after. “Summer Days” and “Cat’s In The Well” were rocking the house as well. This show was really good. And I have not yet even mentioned the real nuggets, those four songs which we had not yet seen during this “Leaves Are Starting To Fall – Tour”. First of all there was the first appearance of “I’ll Remember You” for this fall, at the “Baby Blue” spot after the opening gem. Then there was the eighth performance of “The Lonesome Death Of Hattie Carroll”, a song I cherish a lot, and which I had last seen more than five years ago, in Essen, some thirty miles north east of Düsseldorf. I am glad I got to hear this nice new piano version. The second appearance of the new “Girl Of The North Country” also was a real treat. This one is amazingly beautiful, a truly new creation by this great performing artist. But all these fine song performances are even overshadowed by the one most outstanding performance of that night in Düsseldorf, which was the five verse plus harp solo rendition of “Tryin’ To Get To Heaven”. Most sublime singing by Bob during this masterpiece performance; and definitely one of the high points of my concert going experience, ever, even surpassing the first slow version of the same song in Dublin, which I had seen in September 2000. Yes, this Düsseldorf version of “Tryin’ To Get To Heaven” would be my new “desert island performance”. It really was that good. |
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